Le repli

By revisiting and reformulating a 1960s and 1970s New York experimental cinema practice that involved scratching film strips, I found a way to think about images at a pace not dictated by media temporality. The time and effort devoted to each image, the physical contact with them and the radical slowing down of their flow made me see them differently, restoring the power to think and to act.

Bomb magazine

Autres séances